Represented artist

Richard Deacon

Bangor, Wales, UK, 1949. Based in London

Richard Deacon

Statement

Richard Deacon is one of the most important contemporary British sculptors, whose work is originated in the early 1980s. A work that rejects the heroic formalism and sometimes oppressive monumentality of the previous generation, in favor of an interest in forms and objects reminiscent of everyday situations and accidental events.
Known for an impressive and sometimes unexpected use of various materials (wood, cement, steel, iron, polycarbonate, vinyl, clay, leather, foam, ceramic and marble), the works of Richard Deacon are characterized by voluptuous and sinuous abstract forms.
A refined virtuosity accompanies every one of its construction: curves, twists, bends, turns and looping curves cross the space like three-dimensional drawings, others hover on the floor like large drops of liquid. The shapes he creates evoke the material world of everyday artifacts and the inner world of the body, such as frames or thoracic cages, but in reality during his career Deacon pushed and challenged the materials he used managing to do his job something that looks like nothing else.
The monumental sculptures by Richard Deacon explore the nature of opposites, questioning some essential but contradictory elements: hardness and malleability, organic and geometric, grace and unease. Often it is the tension between the two aspects, the unusual shape, the casing - like a superficial skin that is at the same time a tangible work and an alien form, that makes Deacon's art so surprising, mysterious, that it often asks more questions than how many it solves.
The choice of materials and their manipulation are fundamental for him; carefully chosen materials, which have to do with both form and content and thought.
In the work, behind the finished object, the construction and aspects of manufacture remain visible: the glue dripping between the layers of wood, the screws and rivets that protrude from the steel sheets, the hand-made carvings.
Deacon tends to use materials produced in sheets, concentrating on flexible, pliable materials, but not like clay and even less stone.

Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen Prize, Museum Wurth, Kunzelsau, Germany in 1995. He was awarded the Chevalier de l’Ordre des Arts et Lettres by the Ministry of Culture, France in 1996 and made a CBE in 1999.

Installation views

Works

Richard Deacon, Fall, 2019. Wood and epoxy · 52 × 240 × 120 cm
Richard DeaconFall, 2019
Wood and epoxy
52 × 240 × 120 cm
Richard Deacon, BED #24, 2024. Fine Art Giclée print on Cotton paper · 35.5 × 20 cm
Richard DeaconBED #24, 2024
Fine Art Giclée print on Cotton paper
35.5 × 20 cm
Richard Deacon, Small Sculture 14, 2010. Resin and steel · 16.2 × 6 × 15 cm
Richard DeaconSmall Sculture 14, 2010
Resin and steel
16.2 × 6 × 15 cm
Richard Deacon, Shiver My Timbers #11, 2016. Wood · 43.5 × 17.5 × 12 cm
Richard DeaconShiver My Timbers #11, 2016
Wood
43.5 × 17.5 × 12 cm
Richard Deacon, Small Sculpture 13, 2010. Resin and steel · 13 × 6 × 15 cm
Richard DeaconSmall Sculpture 13, 2010
Resin and steel
13 × 6 × 15 cm
Richard Deacon, BED #20, 2024. Fine Art Giclée print on Cotton paper · 35.5 × 20 cm
Richard DeaconBED #20, 2024
Fine Art Giclée print on Cotton paper
35.5 × 20 cm
Richard Deacon, BED #15, 2024. Fine Art Giclée print on Cotton paper · 35.5 × 20 cm
Richard DeaconBED #15, 2024
Fine Art Giclée print on Cotton paper
35.5 × 20 cm
Richard Deacon, BED #10, 2024. Fine Art Giclée print on Cotton paper · 35.5 × 20 cm
Richard DeaconBED #10, 2024
Fine Art Giclée print on Cotton paper
35.5 × 20 cm
Richard Deacon, BED #1, 2024. Fine Art Giclée print on Cotton paper · 35.5 × 20 cm
Richard DeaconBED #1, 2024
Fine Art Giclée print on Cotton paper
35.5 × 20 cm
Richard Deacon, 01.01.19, 2019. Ink and pencil on paper · 20.5 × 29.5 cm
Richard Deacon01.01.19, 2019
Ink and pencil on paper
20.5 × 29.5 cm
Richard Deacon, 31.12.18, 2018. Coloured ink and pencil on paper · 20.5 × 29.5 cm
Richard Deacon31.12.18, 2018
Coloured ink and pencil on paper
20.5 × 29.5 cm
Richard Deacon, Nine drawings, 2017. Drawings on paper · 62 × 45 cm
Richard DeaconNine drawings, 2017
Drawings on paper
62 × 45 cm

Exhibitions

  • DüsseldorfBEDRichard Deacon13 March – 12 April 2025
  • PalermoGARDENLoris Cecchini, Richard Deacon, Daniele Franzella30 November 2024 – 1 February 2025
  • PalermoEditionsRichard Deacon, Katharina Maderthaner27 April – 8 June 2019
  • PalermoDEACON - MADERTHANERRichard Deacon, Katharina Maderthaner26 April – 26 June 2019

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Openings, new exhibitions and fairs in Palermo and Düsseldorf, a few times a year.